10 TERMINALS November | December 2026 AirportImprovement.com BUR A series of in-depth public charrettes was held to gather input from airport stakeholders and residents of Burbank, Glendale, Pasadena and Los Angeles. The airport promoted the events through advertisements, mailers and flyers to ensure good representation from surrounding communities. As hoped, the charrettes provided valuable guidance. Topping the list of priorities for the community was maintaining ease of travel, including ground-loading. In short, BUR has a reputation for convenience, and locals wanted to preserve and elevate it. “That became the foundation for the planning,” Hatanaka says. When the substantial project commenced, it progressed relatively quickly with an aggressive schedule. Land grading started in December 2023, construction began January 2024, and the new terminal premiered Oct. 13, 2026. Iconic Look, Elevated Function Relishing the advantages of a greenfield project, the project team analyzed campus-wide capacity and operational needs to create a new terminal that meets current demand and allows for future growth. It also focused on following cues from the airport, stakeholders and the general public. “They wanted to retain the feel of Hollywood Burbank Airport, but wanted it to be a 21st century, digital airport experience,” says Roger Johnson, capital programs executive with project manager Jacobs. As part of the Holder, Pankow, TEC design- build team, the architectural team of Corgan in association with CannonDesign presented three design concepts for consideration: The Paseo, influenced by the communities surrounding the airport; The Century, influenced by Southern California’s mid-century architecture; and the Icon, influenced by Old Hollywood. Based on stakeholder feedback and a public survey, The Icon was selected. Recognizing the prominence of the film industry, project designers drew inspiration from the glitz and glamour of Hollywood. Approaching from the roadway, travelers see a wraparound, cantilevered roofline that continues to form a canopy over the entrances of the new terminal, curving down the front of the parking structure becoming the “silver screen.” The metal canopy serves both form and function, creating a “red-carpet” arrival while also providing shade and cover for guests. Slim V-shaped structural columns recall the spotlights used at Old Hollywood movie premieres. A glimmering metal panel from the “silver screen” to the underside of the canopy carries into the double-height lobby, with bronze and champagne tones for additional Hollywood vibes. All of the custom ceilings and walls are from Arktura, an Armstrong brand. From a distance, the sweeping exterior ceiling brings to mind the silhouette of Marilyn Monroe’s memorable flowing white dress. Up close, perforations of varying sizes give the metal wall and ceiling surfaces a star-like shimmer. Executing the continuous metal veil was a creative and engineering challenge. “Designing and executing the vision across double-curved geometry and multiple, differing structures, and from exterior to interior, was highly complex,” says Aaron Robin, Arktura’s construction services manager. “We were excited to take on the challenge and make it happen.” Wall and ceiling panels carry the design through the entrance, across the lobby and into the gate areas. Carpet was used in The double-height lobby includes 43 staffed check-in stations and 36 kiosks. ROGER JOHNSON
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